Around December 2024, I finished my debut project zk®+. That's around the time I got to taste how it felt to make a project for real, especially the year before back when I wasn't taking music seriously. But as the reviews came in through aggregators and streams on the Artists apps streaming services made me download, I thought to myself – What's really next?

So, in May 2025, I released March Madness + After Madness , an extended play of songs I made during March and April of that said year in a different style than what I used for the previous mixtape. Seeing a much more positive outcome, I was happy, but honestly? I wasn't truly satisfied, so I took the summer of that year off to work on ##B4WN?? and ran into multiple creative blocks and, overall, development hell, but glad I was able to finish it in time after discovering new albums, meeting new people, doing features, and so much more. To be honest, I’d cite Drake’s For All The Dogs & Yeat’s DANGEROUS SUMMER as major muses for this project.

After a long hiatus, I teamed up with tons of talented people – Miphy, elu (ANG3LSWAG) & Moneyston, whose production you’ll hear on this project, alongside Amir (bloodtears) and others I know well and have worked with in the past. They helped me explore all the different themes to put in this project, from the trumpets blaring to start off Overseas, the high-paced Way2Fast! (interpolating March Madness’s Way2Go!) and the chiller theme I went for in Talk It Out. I even learned how to master with Dolby Atmos and got this fantastic cover art designed by my buddy J..
While working on this project, I remembered how great it is to make music again.

So to answer your question, 2024 me:
I stopped making bad music on purpose when I realized how good of a tool it is to express yourself.
So what's really next for me? Continue to express myself the best way I know how. Logic Pro, FL Studio, my microphone, and this sick ass MIDI controller I got for my birthday.